http://resumes.actorsaccess.com/garywelz

http://www.newmedialab.cuny.edu/people/welz/

http://www.cbsnews.com/stories/2007/01/29/national/main2411081.shtml

http://www.prweb.com/releases/2007/2/prweb501842.htm

and maybe:

http://www.friends-partners.org/utsumi/glosas-news/scieng33.htm

The very common know Newspaper in germany "Der Spiegel"
has published the Video Simulation from the Purdue University.
http://www.spiegel.de/wissenschaft/mensch/0,1518,488868,00.html

Simulatiously they opend a Froumthread about the Topic.

And titled it : 9/11 - ein Schlag gegen die Verschwörungstheorien?

aka " 9/11 a Punch against Conspiracytheories"

So i prepared a 5000 letters Post (max letters peer post)
including all main common facts about TV-Fakery.

This post has never been released and i recieved no reason why!

Represented By:

http://www.sheplinwinikartists.com/

H. Shep Pamplin

Associate Producer/First Assistant Director/Production Manager/Special Effects

1987 Psychos in Love Associate Producer / First Assistant Director / Production Manager / Special Effects

http://movies2.nytimes.com/gst/movies/movie.html?v_id=39605

Tom Molinelli - Special Effects
H. Shep Pamplin - Associate Producer, Production Manager, First Assistant Director, Special Effects
Frank Stewart - Makeup
Fan Pedis - Special Effects
Jan Radder - Special Effects
Debi Thibeault - Costume Designer
Nina Port - Special Effects
Jennifer Aspinall - Special Effects
Gorman Bechard - Composer (Music Score), Producer, Editor, Cinematographer, Screenwriter, Director
Matt Brooks - Special Effects
Carmine Capobianco - Screenwriter, Special Effects, Composer (Music Score)
Shaun Cashman - Sound/Sound Designer, Associate Producer

I'm sure some of you already think I've been cracking-up for some time, but this time it's real. System 8.1, + Explorer will no longer work as I tour the internet. I've spent this past 2 months constantly replacing some or all of the system folder as this happens, finally I think they've got it down. Everytime I re-start, I come up with an extra 'temporary items' folder.

Col Sparks and Casseia are part of Blogger. They were there from the early beginnings and they, (unlike us) always asserted the power of 'voting' bad people, (like killtown) into obscurity. The best you can do is write metaphorically. And, heaven forbid, Never make any direct reference to what they think the actual subject is. In a few minutes, my typing speed sill slow to single-digit entries.I will have to crash & re-

Here's the "changed script" for his 2002 9/11 anniversary coverage.

http://www.wnyc.org/specials/anniversary/changed_script2.html

music)

JR:
You are listening to "Changed New York," a special program from WNYC.

(Break)

You are listening to "Changed New York," a special program from WNYC.

Sound of rooftop

GARY WELZ: This is the rooftop, and it offers quite a panoramic view of lower Manhattan, and I would come here almost every day before September eleventh. One of the things that I always enjoyed about this rooftop was, you can notice there are four sets of twin buildings, some deliberately twins, like that pair there and the pair behind it, which were-, were made as twin towers or twin structures, and then some "accidental twins": the white and the black building over there, Liberty Plaza and the Bankers Trust here, so you had these four pairs of twins, and then the majestic twins, the-, you know, the World Trade Center towers, that were quite remarkable. ... (:35)

JR: Gary Welz still visits the rooftop at his apartment building almost every day. The building at 75 West Street is two blocks south of where the World Trade Center once stood. Tenants were evacuated on September eleventh, and they weren't allowed to move back until December fifteenth. During those 3 months of being displaced, most moved away permanently, but a few, including Welz, have come back, to changed lives and a changed landscape.

GARY: I love the roof. That's one of the reasons I love to be in the building, and there were always sunbathers here. It was a great socializing spot.

JR: So, what is it like for you to come up here now?

GARY: Mostly, it's a reminder of what happened, to see the-, the site. It's certainly a great emptiness, and, you know, still struggling, trying to understand what happened, still a kind of disbelief. It's a different view, and in some ways a better view. I can see all the way up to the Empire State Building now. I can see the rest of Manhattan, where before, it was just this great steel wall. This building was in the frozen zone for the full three months because they were finding airplane parts and other-, parts of human bodies on the roof, and so we were the last to get back in. Even in December, the amount of construction, the s-, the dirt and dust, the b-, the air, were very difficult. Those are some of the bigger concerns.

JR Does it feel like home again?

GARY: The best thing about coming back was that I could meet neighbors, some of whom I didn't even really know by name beforehand, and share my experience with them. Coming back gave me a kind of closure on the event, and it gave me a power in feeling that I could choose if I was going to leave

Elevator bell, elevator door opening, muted conversation, squeak, 'Thank you")
GARY: You know, I don't think I've actually met you. I'm Gary Welz. How are you?

ALICE: Alice. Very nice to meet you.

GARY: Alice?

ALICE: Alice.

GARY: Thank you, Alice.

Ambiance in house

Fred

http://www.doollee.com/PlaywrightsW/welz-gary.html

Synopsis:

This is a play about a group of terrorists in an unnamed country fighting for an unnamed organization

Synopsis:

about an applicant to go on a suicide mission for an unknown organization. Although it seems especially topical today, it was actually inspired by a New York Times story that appeared in 1987 about an ad in an eastern european newspaper for a suicide bomber

Synopsis:

the comic rise and fall story of a professional assassin.

Fred